0 comments Monday, December 31, 2007

0 comments Tuesday, December 25, 2007

1 comments Sunday, December 23, 2007

As the song says "It's the most wonderful time of the year" and I personally believe it. The Christmas season is one of my favorite times of the year with only Halloween coming in a close second. So with the holidays upon us I figured it was time to give a list of my favorite holiday movies, in no particular order save for number 1.



5. Die Hard
Die Hard is not only The Quintessential Action Movie, it spawned it's own genre ("Die Hard on a ..."), but it's also a Christmas movie. Sure it's set at Christmas but as someone over at Cinematical.com recently pointed out it has all the things that make Christmas, well Christmas. It's got holiday travel, family gatherings, work parties, and of course terrorists...ok so maybe it's not all Christmas, but you get the picture.
If you've been in a crate for the past 19 years, Die Hard is the story of John McClane, a NYC cop whose in LA to see his wife and kids who've moved there without him. His first stop is his wife's office which is having a Christmas party and is quickly taken hostage by a group of terrorists. It's up to McClane, whose evaded the terrorists and stands as the only man between them and freedom.
Bruce Willis is great as a normal guy thrown into an extraordinary situation and forced to do the impossible to save his wife. And Alan Rickman is wonderful as the terrifying Hans Gruber. Definitely one of the best holiday movies around.



4. Love Actually
An R-Rated comedy set at the holidays and all about love what more could you need for the holidays? It's numerous stories all have happy endings and makes you feel all warm inside without having to spike your eggnog.
One of the funniest storylines is also probably the main reason the movie is rated R, the story of two movie stand-ins who met on set and slowly fall in love is made hilarious by the fact that all of the scenes they are standing in on are sex scenes and so they have casual conversations whilst in various states of undress. This may offend some, and sure it's a bit unneeded, but it is quite funny.
But honestly it's the entire cast that make this movie so wonderful. Hugh Grant, Colin Firth, Liam Neeson, Alan Rickman (He's in two of my favorites!), Bill Nigh, Emma Thompson, Martin Freeman, Chiwetel Ejiofor, Kiera Knightley, Laura Linney, Billy Bob Thorton, and many, many more do a great job elevating the movie. What could have been simply saccerine sweet is instead a holiday movie sure to become a classic.



3. Elf
Will Ferrel as Buddy, a human raised as an Elf, what more do you need to know?
Well how about the beautiful Zooey Deschanel singing "Baby, It's Cold Outside"? What about James Caan as Buddy's grinch of a Dad? Or Bob Newhart as Buddy's adoptive father, whose also an elf?
Well if that doesn't get you then maybe Buddy turning a Macy's type store into a winter wonderland with paper snow flakes and other amazing decorations, or Will Ferrel eating Spaghetti with maple syrup?
It's great for kids and adults alike and quite simply the most fun Christmas movie to come out in years.



2. Gremlins
I used to love watching this movie when I was a kid. I've recently reacquired it can't wait to watch it again. But who can beat a movie which borders on Sci-Fi/Horror and is aimed at kids, all taking place at Christmastime with a cute cuddly little animal voiced by Howie Mandell?
The movie tells the story of what happens to a small town when the aforementioned cuddly little creature spawns more cuddly little creatures who turn into horrible little monsters when fed after midnight. The movie features homages to both It's A Wonderful Life and The Wizard of Oz, and features Phoebe Cates.
I'll admit it's probably because it's from my childhood that I like it so much, but I don't care it's a great movie.
Plus, it holds a place in cinematic history as one of two movies from Steven Spielberg (he produced Gremlins) that lead to the creation of the PG-13 rating when parents complained they were to violent for the PG rating, but we deemed not bad enough for R by the MPAA (The other was Indiana Jones and the Temple of Doom)
A great little "horror" movie for most ages that's set at Christmas and thus not you typical Christmas fare.



1. The Back to the Future Trilogy
This is my number one holiday movie, and yes I realize it's actually three movies, but it's all one big story to me.
I know this is not really a holiday movie, it's not set around Christmas and in fact has nothing to do with Christmas. But to me it's just not Christmas without watching at least one of the Back to the Future movies.
For years my brother, dad, and I would get together every Christmas and watch the entire trilogy. Last year I actually watched it twice as I watched it once at home and then watched Parts 1 and 3 on my dad's new HD TV, which made them even better than they had always been.
Just today I watched the original and I'm planning to watch parts 2 and 3 before the holidays are over.
I'll be discussing BTTF in more detail in an upcoming entry, so I'll just leave it at that. But know that to me Back to the Future IS Christmas.

So what's your favorite Christmas movies?

0 comments Wednesday, December 19, 2007

Every once in awhile an actor comes along that never quite catches on with the main stream audience. One of my favorites is a man named Bruce, Bruce Campbell. Bruce has starred in a string of B Movies from the Evil Dead series to Bubba Ho-Tep. His partner in crime has often been director buddy Sam Raimi who has directed him in all three of the Evil Dead movies and his wonderful cameos in all three of the Spider-Man Movies.

Bruce is also well known for his various TV roles such as the Robin Hood type character Autolycus on Xena, the title character in The Adventures of Brisco County Jr, and he can currently be seen as Sam on USA's Burn Notice.

Now Bruce is starring in a film so amazing it could only be a low budget B horror flick. The name of the movie is "My Name is Bruce" and stars Bruce Campbell as Bruce Campbell a b level actor whose filming a new B horror movie when A small town is attacked by demons after a group of teen-agers unwittingly unleash an ancient curse. To save their sorry behinds the teenagers kidnap Campbell off the set and force him to play the role of his heroic movie character in order to save the town, despite his protestation.

Below you'll find the first two posters courtesy of The Movie Blog and you can click here for the trailer available from Bloody Disgusting.



0 comments Monday, December 17, 2007

With so many movies coming out every year it's a certainty that there will be a healthy amount of crap, and sometimes the aforementioned crap is so bad it's good. This is the kind of crap that should be celebrated. So I bring you Awful Cinema!

The following clip is both the most horrendous and most amazing thing I've ever seen in my entire life. From a 1994 movie titled "Undefeatable" this is the most drawn out, horrid fight scene I've ever seen.

WARNING: the following 3 minutes and 16 seconds are so bad they will make you smile with glee, also there's some painful eye gouging, so be warned.

3 comments Friday, December 14, 2007

Here are two wonderful new posters for The Dark Knight.

First, the Dark Knight himself:



And one of the back of the Joker, which I personally think is pretty awesome:

2 comments Tuesday, December 11, 2007

Monday the Creators of How I Met Your Mother, Carter Bays and Craig Thomas, sent a message to their fans via MySpace about the strike, you can read it below:



Letter to the Fans from the Producers

Hello HIMYM fans. Motherheads? Howsiers? What are you calling yourselves these days? So first things first, thank you for the incredible support you guys have given us over the years. We mean it. When you create a show, you never think you're doing anything more than telling a funny story. But apparently we've created a community, and it seems to be a community of pretty decent people. It's a community we'd probably want to have a beer with. Our fans seem cool and smart and funny, and it drives us to want to make the show better, to never let it stagnate, to always push ourselves to try something interesting and new. So thank you.

Anyway, we'd like to take a little moment here to come out from behind the desk, cool-11th-grade-english-teacher-style, roll up our sleeves and "rap" at you guys for a bit. We want to talk about the strike. By now you probably know what strike we're talking about, but if you don't, watch this movie:

What it boils down to is this: Tonight’s episode of “How I Met Your Mother” is the last new one for a while. Starting next week, we grimly trudge off the map and into the desert of reruns and reality TV.

We can’t tell you how difficult this last month and a half has been for us, both personally and professionally. We work with the best people in this business – the best at their jobs, the best at being nice and decent human beings – and the thought of all of them out of work over the holidays is almost too much to bear. We miss them all every day.

That’s by far the suckiest part of the strike – nothing tops that. But there’s other suckiness, such as the suckiness of having to put this story on pause. We love our show. We love the stories we get to tell. And this year on How I Met Your Mother, we think the story is particularly great. A very juicy, breathtaking, funny, and (to use our director Pam's word) yummy story was just starting to unfold as the ax began to fall. We're very excited about the second half of this season, and not bringing it to you right now, factory-direct, sparkling-new, is simply killing us.

But enough with our problems. The reason we’re writing today is to beseech you guys, the fans of this show, to bear with us. The love and support you’ve shown us over the last two and a half seasons has been truly surprising and awesome, and we hope you’ll rejoin us when this whole mess is over with. But for now, this is going to have to be a long distance relationship. We know you’ll get lonely, and Mario Lopez is such a good dancer… but come on, hang in there. Sure, long distance doesn’t ever work for anyone, but we’re different. What we’ve got is special. We can make this work.

But in the meantime, if you want to help us end this strike quickly, please visit www.fans4writers.com. That site explains exactly what the WGA is asking for, exactly why it’s completely reasonable, and exactly how you can show your support.

And just in case the strike goes on so long that the medium of television goes out of business forever and we never get to make another episode, the mother is the coat check girl.

Happy Holidays!

Carter Bays and Craig Thomas

3 comments Saturday, December 8, 2007

So today the negotiations between the AMPTP and the WGA broke down once more. Apparently the AMPTP made a proposal which gave an ultimatum to the WGA to either take out 6 of it's proposals or they would walk.
Later in the day as the WGA negotiators met to decide what counter-proposal they would offer members of the AMPTP informed them that if any of the 6 proposals mentioned were included in the deal they would walk away.
In fact a note from AMPTP president Nick Counter said "I informed you that when the WGA sends me a letter confirming that those six proposals are withdrawn, the AMPTP will schedule another negotiation session with the WGA."

Clearly the AMPTP has no desire to see this strike end of compromise on any of it's proposals, but expects the WGA to give in and let them have their way.

One thing that particularly bugs me is a statement made in the AMPTP's press release (Reprinted in full below along with the WGA's press release that followed) In the press release the AMPTP says:
"Their proposal for Internet compensation could actually cost producers more than they receive in revenues, thereby dooming the Internet media business before it ever gets started."

Can someone please tell me how a residual which is a percentage of the revenue can possibly be more than the revenue? Because unless the WGA is asking for over 100% of the revenue, it's impossible. I mean it's simple math! 4 to 8% out of 100% does not equal zero or less than zero. This is the most ridiculous, idiotic thing I have ever heard.

As you can tell I'm pretty riled up about this, and am really mad at the AMPTP. So far they have not shown any willingness to negotiate in good faith, and yet continually point their finger at the WGA as the source of the problem.

It's hard to say that giving someone an ultimatum and then throwing a tantrum when they don't back down, and subsequently leaving the negotiations is the other person's fault, yet the sure are trying to do just that.

Grow up and learn to share, it's a simple kindergarten lesson, one that the AMPTP never seemed to learn.

THE AMPTP PRESS RELEASE:
We're disappointed to report that talks between the AMPTP and WGA have broken down yet again. Quite frankly, we're puzzled and disheartened by an ongoing WGA negotiating strategy that seems designed to delay or derail talks rather than facilitate an end to this strike. Union negotiators in our industry have successfully concluded 306 major agreements with the AMPTP since its inception in 1982. The WGA organizers sitting across the table from us have never concluded even one industry accord.

We believe our New Economic Partnership proposal, which would increase the average working writer's salary to more than $230,000 a year, makes it possible to find common ground. And we have proved over the last five months that we want writers to participate in producers' revenues, including in theatrical and television streaming, as well as other areas of new media. However, under no circumstances will we knowingly participate in the destruction of this business.

While the WGA's organizers can clearly stage rallies, concerts and mock exorcisms, we have serious concerns about whether they're capable of reaching reasonable compromises that are in the best interests of our entire industry.

It is now absolutely clear that the WGA's organizers are determined to advance their own political ideologies and personal agendas at the expense of working writers and every other working person who depends on our industry for their livelihoods.

Instead of negotiating, the WGA organizers have made unreasonable demands that are roadblocks to real progress:

-- They demand full control over reality television and animation. In other words, they want us to make membership in their union mandatory to work in this industry - even though thousands of people in reality and animation have already chosen not to join the WGA.

-- They demand restrictions designed to prevent networks from airing any reality programs unless they are produced under terms in keeping with the WGA agreement. This would apply even to producers who are not associated with the Guild. Their proposal artificially limits competition and most likely would not withstand legal challenge.

-- The WGA organizers are demanding the right to ignore their bargained "no strike" provision, allowing them to join in strikes of other labor organizations.

-- Their proposal for Internet compensation could actually cost producers more than they receive in revenues, thereby dooming the Internet media business before it ever gets started.

-- They insist that writers receive a piece of advertising revenue - even though the producers that pay them don't receive any of this revenue in the first place.

-- They want a third party to set an artificial value on transactions, rather that allowing the market to determine the worth of each transaction. This would result in producers having to pay residuals on money that the producers never even received.

These are the terms the WGA organizers demand for ending the strike - money that doesn't exist, restrictions that are legally dubious, and control over people who have refused to join their union.

Besides betraying a fundamental misunderstanding of the economics of new media, such as a streaming proposal that would require us to give them more money than we make ourselves, the WGA organizers are on an ideological mission far removed from the interests of their members.

Their Quixotic pursuit of radical demands led them to begin this strike, and now has caused this breakdown in negotiations. We hope that the WGA will come back to this table with a rational plan that can lead us to a fair and equitable resolution to a strike that is causing so much distress for so many people in our industry and community.

WGA PRESS RELEASE:
AMPTP BREAKS OFF NEGOTIATIONS
Today, after three days of discussions, the AMPTP came back to us with a proposal that included a total rejection of our proposal on Internet streaming of December 3rd.

They are holding to their offer of a $250 fixed residual for unlimited one year streaming after a six-week window of free use. They still insist on the DVD rate for Internet downloads.

They refuse to cover original material made for new media.

This offer was accompanied by an ultimatum: the AMPTP demands we give up several of our proposals, including Fair Market Value (our protection against vertical integration and self-dealing), animation, reality, and, most crucially, any proposal that uses distributor’s gross as a basis for residuals. This would require us to concede most of our Internet proposal as a precondition for continued bargaining. The AMPTP insists we let them do to the Internet what they did to home video.

We received a similar ultimatum through back channels prior to the discussions of November 4th. At that time, we were assured that if we took DVDs off the table, we would get a fair offer on new media issues. That offer never materialized.

We reject the idea of an ultimatum. Although a number of items we have on the table are negotiable, we cannot be forced to bargain with ourselves. The AMPTP has many proposals on the table that are unacceptable to writers, but we have never delivered ultimatums.

As we prepared our counter-offer, at 6:05 p.m., Nick Counter came and said to us, in the mediator’s presence: “We are leaving. When you write us a letter saying you will take all these items off the table, we will reschedule negotiations with you.” Within minutes, the AMPTP had posted a lengthy statement announcing the breakdown of negotiations.

We remain ready and willing to negotiate, no matter how intransigent our bargaining partners are, because the stakes are simply too high. We were prepared to counter their proposal tonight, and when any of them are ready to return to the table, we’re here, ready to make a fair deal.

John F. Bowman
Chairman, Negotiating Committee

1 comments Thursday, December 6, 2007

So below is the new Slusho commercial. What's Slusho you ask, well it's some kind of Slurpie type drink which originally appeared on Alias, was featured on a shirt in the trailer for J.J. Abrams new movie "Cloverfield" and has even appeared on NBC's Heroes.

Also Slusho appears to be part of some kind of weird Viral Marketing for Cloverfield. If anyone has a clue as to what in the heck is going on in this commercial please let me know as It's kinda freakin' me out.

0 comments Wednesday, December 5, 2007

That is all.

0 comments Tuesday, December 4, 2007


Sorry for the recent lack of posts, I've been studying all the time, but I'm taking a break to bring you some old news!

Recently (last friday) pictures (see above and below) appeared online (at Jalopnik.com) of the new K.I.T.T. from the new Knight Rider Tv Movie/Back-door Pilot. The new car is apparently a 550 HP Ford Shelby GT500KR Mustang (whatever that means, I'm not a car person, all I know is it looks sweet)


I happen to know someone working on the production of the pilot, and he was able to confirm this was indeed the new car, and that last week they had taken it out and filmed it for the first time. Apparently they shot it in the dark to make it hard to see what kind of car it was, which I assume means that all you can see is a dark outline and the familiar red light of the "scanner" on the front. Personally I can't wait to see this, maybe it will be used as a preview for the show.

Also confirmed was the fact that David Hasselhoff was already onset to film a part as original Knight Rider, Micheal Knight (no word on if it's just a cameo or a larger role). And it seems sometime in the next two weeks they are taking the car out to film a high speed chase.

One note this is the TV Movie being made by NBC to air sometime this spring, which they hope will turn into a weekly series. At the same time a Big Screen version is gearing up over at Miramax with original creator Glen A. Larson on board. Apparently NBC owns the television rights to the show, while Larson owns the rights to a big screen adaptation. Some think NBC decided to gear up a revival in order to take away from Larson's big screen version, while other rumors are that the success of Transforms got NBC head Ben Silverman interested, and that K.I.T.T. may transform.

You can read a review of the pilot script over at the Televisionary's Blog.