0 comments Wednesday, February 27, 2008

I don't often do Meme's but this one was up over at Javier Grillo-Marxuach's blog and I thought I'd do it for fun.

Instructions: Open up your iTunes and fill out this survey, no matter how embarrassing the responses might be.

How many songs total: 6,461
How many hours or days of music: 16.2 Days
Most recently played: Nine in the Afternoon - Panic at the Disco
Most played: Back to the Future - Alan Silvestri
Most recently added: New Soul - Yael Naim

Sort by song title:
First Song: A-OK - Motion City Soundtrack
Last Song: Zombie - The Cranberries

Sort by time:
Shortest Song: 37 Seconds - In This Temple As In The Hearts Of Man For Whom He Saved The Earth - Sufjan Stevens
Longest Song: 26 min 37 sec - The Story So Far - New Found Glory (Lots of dead air)
13 min 38 sec - Everything Evil (Demo Version) - Coheed and Cambria

Sort by album:
First album: ABBA Gold - ABBA
Last album: Yourself or Someone Like You - Matchbox Twenty

First song that comes up on Shuffle: That Means A Lot - The Beatles

Search the following and state how many songs come up:

Death - 56
Life - 68
Love - 324
Hate - 38
You - 773
Sex - 23

1 comments

So apparently I set off a firestorm when I wrote about the recent butchering of Fanboys. As first reported here the movie was taken over and the cancer plot (the very heart and soul of the movie) was to be excised. The story was quickly picked up by Aint It Cool News, which brought it to the attention of a larger audience, many of whom are Fanboys themselves.

Since that time the story has been picked up in numerous places including The Force.net, the biggest Star Wars site on the web, Cinematical, and most recently The New York Post (Who gave me credit ahead of Aint It Cool!)

Cinematical claims that the new cancer-free cut of the film only scored 2 points higher than the original. Afterwards, the Weinsteins tested another new version, this one with more nudity and crude language (because we all know the way to make something funnier is to add sex and dirty words!) and still only recieved a score 2 points higher than the original. But because the pumped $2.5 Million into the movie for (unnecessary) reshoots they are wanting to stay with the new (heartless) version.

But the most troubling story coming from Cinematical is that the studio placed 'plants' inside the original screening, the one with the cancer plot. These plants were studio hired goons that sit in the theater and then talk up the other members of the audience in order to bring down the score. If this is true it means the Wienstiens purposefully tried to alter the scores in order to justify using the new cancer-free cut. Besides being dishonest, it's just plan disgusting.

Also it appears that many of the fans of the original idea have begun a boycott against the Weinstien Company. These fans have started an online campaign which can be found at Stop Darth Weinstein which depicts Harvey as the Dark Lord of The Sith, and call for a boycott of all the studio's releases. One faction of this group are members of the 501st, a group of uber-fanboys who go so far as to make their own droids, stormship trooper armor, and other props from the movie. The 501st members loaned out some of their props and uniforms for the movie based on the original script and cancer plot line, and now that it has been removed they feel they were betrayed. And many of these fanboys feel that the new direction of the movie is more of a mockery of them, than the love letter it was originally intended to be.


As things heat up, I'm sure the Weinstiens are happy for any publicity that gets the movie into the public eye. Hopefully it will also show them that fans want to see the original cut, and keep in the cancer storyline.

I'll continue to update as more news becomes available.

0 comments



Today Variety announced that the lead had been cast in "I Love You, Beth Cooper"

If you're a constant reader you know that I was a huge fan of the book ILYBC, and have been following the casting news since the project was announced. As previously announced Hayden Panettiere has signed on to play the titular character, and now comes news that newcomer Paul Rust (Semi-Pro) has been cast as Denis Coverman the uber-geeky senior that decides to profess his love for the school's head cheerleader in his valedictorian speech.

While Rust looks geeky enough, it does trouble me that according to his MySpace (the only info I could find on him) he's 26, 8 years older than Panettiere. I guess we'll see how well he works out, but either way I'm glad to see things progressing.

Also joinging Rust and Panettiere are Jack Carpenter (Sidney White), Lauren Storm (The Game Plan) and Lauren London (This Christmas) presumably as Denis's best friend, and Beth's two cheerleader girlfriends, respectively.

Chris Columbus will direct the film, which he is also producing through his 1492 Pictures banner. Michael Barnathan and Mark Radcliffe also produce.

Project is based on a novel by former "Simpsons" scribe Larry Doyle, who penned the screenplay. Shooting is scheduled to start next month in Vancouver.

0 comments Friday, February 22, 2008

Today The Signal hits theaters and it looks to be a very different, very gritty thrill ride. An independent film, The Signal tells one story from three different perspectives, each one coming from one of three different directors.



On New Year's Eve in the fictional city of Terminus, all forms of communication have been jammed by a signal which preys on fear and drives everyone to all forms of madness, including murder. In this turmoil Ben must find and save the woman he loves from the lunatics roaming the city streets, and her crazed husband. But in order to save her he must discover the true nature of The Signal in order to find others he can trust.

The real reason to see this movie may lie in the story behind the scenes. What eventually became The Signal started out as an experimental film called Exquisite Corpse. The idea was to have one filmmaker begin a story and then hand it over to another filmmaker, who would continue the story before handing it off again, until the story was finished. The finished product became an amalgam of sci-fi, horror, and thriller which delves into the inhuman terror which exists within all of us.

Unfortunately I have not been able to see the movie. I was invited to a screening, but couldn't make it, but I've heard nothing but good things from about the film, so it's definitely one to check out. As for me I'll be catching it when I can, be it in theaters or on DVD. To help you decide I've posted a clip from the movie below, along with a behind the scenes video. Content may not be suitable for all ages.


Laura



Behind the Scenes

0 comments Monday, February 18, 2008


Apparently R&B artist O'Neal McKnight is making the Coolest Music Video EVER!

McKnight, whose a huge Back to the Future fan, is making a video for his song "Check Your Coat" starring Christopher Lloyd as Doc Brown, and featuring THE Delorean. The video follows McKnight's character, a coat-checker, who runs into Doc Brown and "the duo leap into the past and future, giving McKnight a glimpse into his life and relationship with a beautiful lady whom he meets while at the dance club."

You can fine more pictures and a video of the shoot over at BTTF.com.

Personally I'm always up for anything BTTF related, so I can't wait to see how this video turns out.

In other BTTF news you can see some "Sweded*" versions of BTTF, BTTF 2, and the entire trilogy over at Fiew Frenzy, a site dedicated to the act of Sweding films.

*Sweding is the term created by "Be Kind Rewind" creator Michel Gondry for re-creating a movie using only what you have lying around, and based only on your memory of the movie. In the movie 2 video store clerks accidentally erase all the video tapes at the video rental store they work at and begin to recreate all the films for their customers to watch. The process is called Sweding in the film because the tapes are said to come from Sweden as an excuse for higher rental fees and longer wait times.

0 comments Sunday, February 17, 2008


The lovely Kristen Bell (pictured) is planning a trip to Rome, well at least the movie version. Bell has signed on to star in Mark Steven Johnson's (Simon Birch, Daredevil) next film "When in Rome".

Bell will play a successful New Yorker who can't catch a break in the love department, who files to Rome for her sister's impulsive wedding. While there she steals coins from a reputed "fountain of love" and returns home to be pursued by an overabundance of potential lovers. No word yet on who will play her potential suitors.

"When in Rome" was written by Johnson and David Diamond (Evolution, Family Man) and will head to theaters sometime in 2009.

2 comments Friday, February 15, 2008

Peter Murrieta (Far Right)

Peter Murrieta's writing career began in college when a professor recognized his gift for humor and introduced him to a Comedy Corner, a sketch comedy group. After writing and performing with them he made the big move to Chicago to try to join the famed Second City improv group. After taking some classes he found himself as part of the touring company where he understudied Stephen Colbert (Which Murrieta says was "a real fun time," and that Colbert is a "real smart writer, and someone I really enjoyed talking with.") During his five years in Chicago Murrieta met his wife and his manager.

Eventually Murrieta moved to LA where he found himself as part of the set decorating crew on "The Mask" before being selected as a Walt Disney Writer's Fellow, which was his first job writing in the industry. After that Murrieta worked on NBC's Hacienda Heights, Common Law, Between Brothers, Ask Harriet, Jesse, and Three Sisters before creating his first show, Greeting From Tucson, which lasted one season on The WB. He then moved onto All About the Andersons and Hope & Faith before landing his current job on Wizards of Waverly Place.

I met with Murrieta virtually, thanks to the magic of e-mail, to ask him about writing, the strike, and what he does during his free time.

What made you want to be a writer, and did you always want to write
specifically for TV?

I think three things made me want to be a writer -- the show MASH, watching my dad and mom watching the Dean Martin show when I was a small child and seeing them laugh, and having people tell me I was funny. And yes, I always wanted to write for TV. TV is where writers get to create characters that you live with for year after year, and the idea of that has always appealed to me more than movies, where it's a two hour drop in on someone's life and then it's done.

You've worked on several series that only lasted a few episodes, has that been difficult?

Not really. Or I suppose I would say it's not MORE difficult. The only hard part is that you spent the time getting to know a set of characters and then they're gone, forever.

You created Greetings From Tucson for The WB, based on your own life growing up in Tucson, what was it like having something you created on the air and was it difficult when it wasn't picked up for a second season?

It was one of the most amazing experiences of my career. The show was about my life growing up in Tucson, so it was very personal, very close. Being what the WB was, I considered it a success because we got a back order of 9 episodes. Most of the comedies at that point weren't getting that, even. And of course being cancelled is never good. But two things made it bearable. The day I got the call was May, 9 2003 -- the day my second son, Daniel, was born. And with perspective, I've got 22 shows that are all stories about my life that people got to see, and I'll get to share with my sons when they're older. I'm also very proud to have been one of the first Latino shows on the air. And a true ensemble show, as well. My God, it sounds like I'm campaigning for the DVD to be put out or something, doesn't it?

Now your working on Disney's Wizards of Waverly Place, what's it been like working for a kids show and how different is the atmosphere in the writers room versus a typical comedy?

First time on a kid's show, and it's been a lot of fun. Most of the writers are all people I have worked with in the prime time world -- and the honest truth is, the atmosphere isn't that different. You want to tell a great story and you want to not talk down to your audience. Those things never change.

How has the strike affected you and your family personally?

The strike has affected me immeasurably. In both good and bad ways, I suppose.
I get to see my two sons and wife a lot more, now that I'm not writing and producing a show full time. But, it's balanced with a constant gnawing feeling that you don't know when it'll ever be over. Financially, of course, I'm hurting like almost every writer is.
Since the end of the summer, I’ve gone from being an executive producer of Wizards of Waverly Place, to Contract Captain, to Strike Captain, to “Showrunner 180 of 200” that walked off his/her show, to some jackass who’s just tired and wants it to be over, no matter what. Then I volunteered to serve on a Guild committee, only to find out it was the Strike Rules Compliance Committee. That’s the committee that goes after scab writing. And my feet hurt. Because I walk. Every day. Four hours a day at the start and now three. And you know what? I wouldn’t trade it for anything. Sure there’s been emotional roller coasters unlike any I’ve been through.
I’m leaving out the pit in my stomach that makes it feel like I’ve been at the beginning of a panic attack for eleven weeks, without the physical release of actually having the panic attack and putting my fist through some dry wall, while my wife or whoever’s near me looks for some wood I can bite on so I don’t chew off my tongue. But who doesn’t feel like that, right?

What hobbies do you enjoy outside of writing?

I coach baseball, my oldest, Joaquin is a two time all star switch hitting catcher for his little league team. I'm kind of bragging, but there you go. I have a couple of old cars I work on, my fav is a 1964 Lincoln Continental. And I own, with my wife, Aliza, a Comedy Improv Theater in Hollywood, "Bang Comedy Theater". You can find us at bangstudio.com.

And Finally, what are some of your favorite Television shows?

Battlestar, Lost, Heroes, The Wire, Old Rockford Files, MASH, Bilko, Sanford & Son, Taxi, Family Ties, Buffy, 30 Rock, Office

I'd like to thank Peter Murrieta for his time and wish him and all the other writers good luck as they return to their jobs in the next week or two as the strike has thankfully come to an end.

Peter Murrieta - Center with Blue Warmup

0 comments Wednesday, February 13, 2008

The Strike that is. The WGA East and West held a vote Tuesday on whether or not to end the strike now or wait until the agreement had been ratified. The Members voted overwhelmingly to end the strike now, as in 92.5%.
Writers who were employed at the time of the strike were expected to return to work today, and series are expected to begin airing new episodes in March (3-Camera Sitcoms) or April (1 hour Dramas and single camera Sitcoms)
And CBS has already announced it's schedule including return dates and the expected number of new episodes:
"How I Met Your Mother," March 17, 9

"The Big Bang Theory," March 17, 9

"Two and a Half Men," March 17, 9

"CSI: Miami," March 24, 8

"Cold Case," March 30, 5

"Criminal Minds," April 2, 7

"CSI: NY," April 2, 7

"CSI," April 3, 6

"Without a Trace," April 3, 6

"Ghost Whisperer," April 4, 6

"Numb3rs," April 4, 6

"NCIS," April 8, 7

"Moonlight," April 11, 4

"Rules of Engagement," April 14, 6

"Shark," TBA, 4

All of which makes this newly homebound CineManiac happy! (Even if some shows such as Chuck and Pushing Daises won't be back until next fall)

0 comments Tuesday, February 12, 2008



Just how much can go wrong in one day? That's the question director Frank Oz asks in his newest picture 'Death at a Funeral.'

Within the first few minutes of the movie, once the funeral home delivers the wrong body to Daniel (Matthew Macfayden), you know it's just going to be one of those days. Daniel is already nervous because he's delivering his father's eulogy, a fact everyone seems to question since his brother is a writer by profession.

As the family gathers to say goodbye to their patriarch, things just continue to get worse. Daniel's brother Robert (Rupert Graves) is a big name writer, who's basically abandoned the family for life in New York, and refuses to help pay for the funeral. Daniel's cousin Martha (Daisy Donovan) and her fiance Simon (The fantastic Alan Tudyk) are worried about what her father will say about Simon. Meanwhile Daniel's friends Howard (Andy Nyman) and Justin (Ewen Bremner) have their hands full with Daniel's Uncle Alfie and trying to win over Martha. And then things go down hill fast.

In order to help Simon relax Martha gives him a Valium she finds in her brother's apartment, not realizing that it's really LSD. Thus Simon spends the rest of the movie growing slowly crazier until he ends up naked. A stranger named Peter (Peter Dinklage) shows up with a secret about Daniel's father, that could tear the family apart. Peter further complicates things by blackmailing Daniel in order to keep quiet, but Daniel has other plans, which slowly comes to involve the entire ensemble, despite his best attempt.

As the funeral becomes a complete disaster and secrets are spilled a funny occurance brings the family closer together and helps heal old wounds.

The entire ensemble is great, but it's Tudyk and Dinklage that steal the show, which isn't hard as they have the craziest roles to play with. Tudyk proves once again how wonderful he can be in anything, and does a fantastic job acting high as a kite. Meanwhile Dinklage does what he always does and steals every scene he's in.

Bottom Line, Death at a Funeral is the funniest movie I've seen in quite sometime. The humor is definitely of the British mold, with the majority of the cast hailing from the UK, but it's also the kind of humor we can all relate to.

Special Features Include:
Commentary with Director Frank Oz
Commentary with Writer Dean Craig and Actors Alan Tudyk and Andy Nyman (And who doesn't want to hear more from Alan Tudyk about any topic)
And a hilarious Gag Reel

Death At A Funeral hits stores on February 26th.

0 comments Saturday, February 9, 2008

A Tentative Deal has been reached!!!! As long as it's ratified by the WGA members at their meetings on the East & West Coasts today the strike should be lifted this next week.
Here's a letter from the WGA Presidents which contains links to more details about the tentative agreement.


To Our Fellow Members,

We have a tentative deal.

It is an agreement that protects a future in which the Internet becomes the primary means of both content creation and delivery. It creates formulas for revenue-based residuals in new media, provides access to deals and financial data to help us evaluate and enforce those formulas, and establishes the principle that, "When they get paid, we get paid."

Specific terms of the agreement are described in the summary at the following link - http://mail.citrustudio.com/ct/1843160:2030523191:m:1:92379114:20BFF2AA6AD09D5016D8531C64503D7B and will be further discussed at our Saturday membership meetings on both coasts. At those meetings we will also discuss how we will proceed regarding ratification of this agreement and lifting the restraining order that ends the strike. Details of the Los Angeles meeting can be found at http://mail.citrustudio.com/ct/1843161:2030523191:m:1:92379114:20BFF2AA6AD09D5016D8531C64503D7B.

Less than six months ago, the AMPTP wanted to enact profit-based residuals, defer all Internet compensation in favor of a study, forever eliminate "distributor's gross" valuations, and enforce 39 pages of rollbacks to compensation, pension and health benefits, reacquisition, and separated rights. Today, thanks to three months of physical resolve, determination, and perseverance, we have a contract that includes WGA jurisdiction and separated rights in new media, residuals for Internet reuse, enforcement and auditing tools, expansion of fair market value and distributor's gross language, improvements to other traditional elements of the MBA, and no rollbacks.

Over these three difficult months, we shut down production of nearly all scripted content in TV and film and had a serious impact on the business of our employers in ways they did not expect and were hard pressed to deflect. Nevertheless, an ongoing struggle against seven, multinational media conglomerates, no matter how successful, is exhausting, taking an enormous personal toll on our members and countless others. As such, we believe that continuing to strike now will not bring sufficient gains to outweigh the potential risks and that the time has come to accept this contract and settle the strike.

Much has been achieved, and while this agreement is neither perfect nor perhaps all that we deserve for the countless hours of hard work and sacrifice, our strike has been a success. We activated, engaged, and involved the membership of our Guilds with a solidarity that has never before occurred. We developed a captains system and a communications structure that used the Internet to build bonds within our membership and beyond. We earned the backing of other unions and their members worldwide, the respect of elected leaders and politicians throughout the nation, and the overwhelming support of fans and the general public. Our thanks to all of them, and to the staffs at both Guilds who have worked so long and patiently to help us all.

There is much yet to be done and we intend to use all the techniques and relationships we've developed in this strike to make it happen. We must support our brothers and sisters in SAG who, as their contract expires in less than five months, will be facing many of the same challenges we have just endured. We must further pursue new relationships we have established in Washington and in state and local governments so that we can maintain leverage against the consolidated multinational conglomerates with whom we bargain. We must be vigilant in monitoring the deals that are made in new media so that in the years ahead we can enforce and expand our contract. We must fight to get decent working conditions and benefits for writers of reality TV, animation, and any other genre in which writers do not have a WGA contract.

Most important, however, is to continue to use the new collective power we have generated for our collective benefit. More than ever, now and beyond, we are all in this together.

Best,

Patric M. Verrone
President, WGAW

Michael Winship
President, WGAE

0 comments Wednesday, February 6, 2008



I loved Cloverfield. It was a fun, fast paced intense romp that worked the nerves. But I had clearly missed a few things the first time around, and I was curious as to how good it would stand up upon a second viewing. So yesterday afternoon I decided to see it again and see just how good it was, outside of the impact of seeing something new for the first time, and see what new things I could see. And I have to say it's still good.

Just like the first time, I had to continually uncurl my fists and whip the sweat off of my hands, just not quite as frequently. Also I was able to notice things I missed the first time, such as the amount of times you can see a clock and be clued into how much time has passed. Also I was able to spot whatever it is that falls into the ocean in the final scene.

But most of all it still worked as a movie. I was still concerned for the characters, I was still curious as to what the Monster is (and I still am), and it was still just as intense and funny as it was the first time.

But what works the most is still the use of the handheld camera and seeing the entire movie from Hud's point-of-view (Yes his name is Hud as in H.U.D. - Head's Up Display) While it may cause Motion (Picture) Sickness (Yeah I did!) in some viewers it makes for a heck of a ride, and lets the audience feel like they are part of the action.

I'll be picking this one up when it comes out on DVD, if only to see the making-of docs which are sure to be part of the special features. If you haven't seen it yet I can't recommend it strongly enough, just be warned it may cause you to hurl.